Double-Sided:
Inkjet Printing

This one-day workshop introduces the creative possibilities of inkjet printing and paper selection for book or zine projects. Each participant receives a curated selection of five thin, double-sided photo papers suited to the book form. The guided printing session covers file preparation, color management, ICC profiles and paper grain direction before participants print test images on each substrate. Direct comparison shows how paper choice affects color rendition, contrast and mood, and Charlie Weber discusses the advantages and limitations of inkjet printing for bound works. The class closes with an informal critique on how material decisions shape visual experience, followed by a simple binding exercise using cover stock and staples. Participants leave with printed spreads and a tactile understanding of how images function in book form.