Spoiled
Propaganda

Spoiled Propaganda: grafting bio-futurism is a group exhibition curated by PHYEIN Collective (@phyein.collective). It brings together lab-grown materials, digitally fabricated habitats and objects that actively support ecological regeneration, collapsing the distance between laboratory, studio, building site and ecosystem. Artists include @tanvi_76, @r.itamorais, @nateg.myers, @nataliapiorecka, @parisazzarch, @hana_cvelbar, @pauljjtreichl, @matthewbeckdesign, @kewuki, @earthbuildprojecs, @robin.kwon, @basilfrost, @gh.rial, @luciarebolino, @Fen.elektra, @raffaelloelbaz, @jvrdurango, @rosawhiteley, @byron.kalomamas, @kuangweixi, @ljunpeng7, @juhi_earth.clouds, @method.mind, @guillemp, @farida_radwan, @majocreuh eras and @innovus.lab.ldn. Featured works include Elektra Thompson & Fenella Evans — Topiary (2026), made with scavenged driftwood; Megan McGrattan, Gayle Parsons & Kenneth Wilson — From The Ground, Up (2026), using 3D printing with earth; Robin Kwon, Basil Frost & Kayan Patel — Alula (2025), in novel biopolymers and stainless steel; Nathanael Myers — Clarity Optics (2024), also pictured; and Javier Durango — Stream 003 LEA (2026), made with copper, blue elastic string, electronic components and transducer tech. Supported by @britishlandplc. The exhibition closes 7 November 2026 and is open Thursday to Sunday, 12–6pm at Unit 3, Euston Tower, 286 Euston Road, NW1 3AS.